Director Ryu Hyung-seok, who served as a conscripted firefighter during his mandatory military service, made a documentary about firefighters. Responding to calls from those on the edge of life and death, these modern-day heroes at the Yangsan Firestation and Ulsan Fire Headquarters are the focus of The First Responders. Without voiceover narration or interview shots, the film captures not only the team’s work and daily lives, but also their inner darkness, desires, and the difficult fate inherent in their profession. Here, the camera is not simply a tool for recording but is one of them, acting as their eyes. “Just strip away all emotion and focus on what you need to do,” one firefighter says, and the documentary mirrors this approach, moving steadily forward without being swept up by emotional waves. Yet the film inevitably reaches heart-warming moments. This documentary offers an exceptionally humanistic insight into the profession.

살아가는 미혼모 '수진'. 어느 날, 수진이 일하는 반찬가게 사장 '미현'은 지후를 통해 수진이 미혼모라는 사실을 알게 되고, 수진이 다니는 교회에 새 신도로 들어오게 된다. 수진을 향한 미현의 숱한 배려가 점차 집착으로 변질되어 가고, 미현이 수진의 삶에 완전히 침투된 순간, 수진에게 이상한 일들이 벌어진다.

문래동에 거주하며 음악 작업을 하는 민형은 이곳의 많은 이들처럼 재계약을 하지 못해 이사를 준비해야 하는 처지다. 떠나기 전, ‘문래’를 주제로 작업하던 앨범의 완성도 늦어지기만 한다. 그러던 어느 날, 용접공 지안을 만나게 되고 그녀와 가까워지며 앨범의 마지막 곡을 쓰기 시작한다.

Yun-jeong rushes to funeral of Seon-ju, her girlfriend, after hearing of car accident. She can’t expose her whole sympathies.

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曾是一位植物学家的东浩，曾被他在白头山见到的野花美景所深深打动。即使退休之后，他依然投身于传播野花的事业，四处投掷“种子炸弹”。为了复育一种濒临灭绝的高山植物，他亲手建起温室，十年来一直细心照料着这些野花。 　　某天，一件意外打破了他的日常：邻家小女孩春美被他偷偷养的蜜蜂蜇伤了。春美的妈妈带着警察和119救援队登门要清除蜜蜂，然而东浩却坚称自己没有养蜂，反而激动地表示，如果蜜蜂灭绝，人类也将随之灭绝。 　　就在大家以为“蜜蜂骚动”就此平息时，春美又主动登门拜访。原来她为体验学习养蚕，但桑叶用尽，只能来向东浩求助。东浩发现春美并不怕蜜蜂，对她渐渐生出亲切之感。他帮她寻找桑叶，还在温室里一起制作种子炸弹，两人逐渐建立起一段温暖的友谊。 　　然而，就在关系日渐亲近时，春美却突然消失，只留下一个养蚕工具箱。东浩等了好几天，终于从春美的老师——努里那里得知了她的身世：春美和妈妈秀妍正是为了逃避父亲的家暴才搬来此地。如今因为父亲的穷追不舍，她们又被迫躲到一家汗蒸房里。 　　东浩去找秀妍，希望她能报警并让春美重返校园。但秀妍表示自己还有未了的事，请求东浩帮忙暂时照顾春美。了解了母女的故事之后，东浩开始思考，什么才是最明智的选择。就在这时，春美透露了一个新的计划，让东浩做出了一个重大的决定。

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La memoria di una madre con demenza si dissolve gradualmente, sbiadisce e si sgretola.

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The versatile artist, BEK Hyunjin ventures into theater direction, leaving the actors in a state of confusion. His unconventional direction unfolds into strange scenes on stage. Scenes of people howling, a woman's monologue, another woman lip-syncing a song appear in random order, and BEK Hyunjin himself appears on stage as a primitive man, a singer and a narrator.